Alison Uttley is still known as a name by many, and read by a devoted band of followers, mainly ladies, but for how much longer? Superficially her Little Grey Rabbit books resemble Beatrix Potter's Peter Rabbit series and this probably explains her success, which she badly needed when she started to write in middle age. I find Little Grey Rabbit rather too wordy and too concerned with the loving details of housework, home-making and traditional country ways to be readable to young children. Her viewpoint is of extreme feminine sensitivity to both the magical imaginative meaning and the canny practical wrinkles of everyday life for Alice Taylor, a hill-farmer's daughter, the Country Child of her best autobiographical novel. Building on a vivid dream of being A Traveller in Time, her historical novel of that title is her masterpiece. No other ghost story I know is so poignant, actually haunting and convincing. She really becomes the both modern and Elizabethan girl Penelope Taverner who tells her own true story. After the war Mrs Uttley embarked on a long series of reminiscences of country life which are a mine of folklore, local history and old Derbyshire ways, though she does repeat herself rather. Most were embellished by Charles Tunnicliffe, whose characteristic illustrations, though based on the Derwent Valley as he saw it in the 1950s complement and enhance the descriptions of life in the 1890s. Despite quarries, traffic and new housing, the "Alison Uttley Country", some ten square miles of the Derwent Valley from Crich and Ambergate to Matlock Bath and Cromford remains one of the most scenically romantic in England - outside the National Park though it is!
We have heard the opinion expressed that Tunnicliffe never visited the area, working instead from photographs.
At November 98 the only Alison Uttley books in print are ' A Traveller in Time'(Puffin) and 'Our Village' (published by us) though we have some old stock and second hand copies of her more popular books do turn up.
Many of her papers and letters are in the University Library of Manchester Collection.
For her centenary in 1984, we planted an oak tree near Castle Top to replace one she used to swing on until escaping the fall of the heavy branch that supported the swing - the event is described with typical intense recall in A Country Child.